He has worked with artists such as LL Cool J, Busta Rhymes, Christina Milian, Marques Houston, Angela Via, Fabolous and Israeli rapper Subliminal and has been involved in feuds with rapper The Game and G-Unit. He has released one album, the self titled Joe Budden. Joseph “Joe” Budden (born August 31, 1980) is an American rapper, Born in Spanish Harlem, New York City but lived in Jersey City, New Jersey for most of his life. With such high energy and creative ideas, it’s clear Joe Budden treated The Album Before The Album like he’s about to release an actual major label album. Scrobble songs and get recommendations on other tracks and artists. Budden also adds some heat for the clubs with bangers like “Pop Off” and “Stuntin’,” featuring Coke. Listen online to Joe Budden - Fire (Yes, Yes Y'all) (Album Version (Explicit)) and see which albums it appears on. Budden unleashes various thoughts through freestyling, like not fitting in on “Outcast” and helping those less fortunate on “Broken Wing.” He also designs his own mash-up as he borrows the hook and rhythm from “Outside” and flows over it, appropriately entitled “Staind” for the metal band he borrowed the idea from. Joe Budden is known for his energy, his eclectic lyricism and his emotional wordplay, all of which are showcased on The Album Before The Album. Entitled strangely as “The Album Before The Album”, this album offers a slightly different rap with strong lyrics and a lot of freestyle passages. The Jersey City rapper had worked the mixtape circuit relentlessly, freestyling over all kinds of beats, everything from Timbaland ('Work It') to the Neptunes ('Grindin'') to the usual East Coast fare.
Budden unleashes various thoughts through freestyling, like not fitting in on Outcast and helping those less fortunate on Broken Wing. A well-known veteran of the New York mixtape scene, Joe Budden was no rookie when he recorded his self-titled debut album. The only downside to this album is the run-times of some of the tracks, they can sort of drag on, but its still a great listen all the way through.
Its dark and depressing and its really a journey through Joes mind and whats been going on in his life. Anyway, he released only 1 album so far and this new one will be his second. Joe Budden is known for his energy, his eclectic lyricism and his emotional wordplay, all of which are showcased on The Album Before The Album. Budden brings a really personal and introspective album here. Joe Budden is 27 year old American rapper, totally unknown for me – but this may be caused by my lack of knowledge and interest in this music genre. Sorry, that’s like a rule of thumb for me.Here’s something for all fans of rap music, after the loads of metal stuff. Yo, when your man stop inviting you to the studio, you’re not getting me to listen to what you’re doing. Joe Budden has always been one to speak his mind, and he certainly wasn’t. man won’t call him to come to the fucking studio. Joe Budden Rips Eminem and Kendrick Collab Love Game, Says He’ll Never Listen to Earl Sweatshirt’s New Album. “Is on Tyler’s album before that album? How about the one before that one? All right, yo. What was it, was it Nas’ album that he did that shit? He just goes off on every feature.”Īlso in the episode, Budden touched on his thoughts on Earl Sweatshirt’s new record, which he admits he never even listened to. The host brought up the argument that Earl doesn’t appear on Tyler, the Creator’s last few albums. Don’t do it with n-s that are putting out 12- or 16-bar songs. Joe Budden + Follow Artist The success of 50 Cent in early 2003 opened the floodgates for other street-level, mixtape-bred rappers, one of whom was Joe Budden, a Jersey City rapper with a distinct loose-cannon style molded from years of freestyling. ‘Hey, rap all you want cause Imma do it too. “He can rap for 5 minutes on Lil Wayne song but Wayne is never putting it out without Wayne rapping for 6 minutes,” Budden said. “That will never happen. Budden used Lil Wayne as an example, sharing that Wanye is “gonna do it back.” Budden continued, arguing that if Eminem keeps requiring artists to be “extending the beat” for him whenever he hops on a feature, they should match the time that he takes on the mic.